The whole paper at a glance
| Part | You hear | You answer | It tests |
|---|---|---|---|
| 1 | 8 short unrelated extracts (~30s each) | 8 × multiple choice, 3 options | attitude, opinion, purpose, gist, detail |
| 2 | 1 monologue (~3 min) | 10 gapped sentences to complete | specific information, exact words |
| 3 | 5 short monologues on one theme | match 5 speakers to 8 statements | attitude and main point |
| 4 | 1 interview or conversation (~3–4 min) | 7 × multiple choice, 3 options | opinion, gist, detail, speaker relationship |
One mark per question, 30 in total, converted onto the Cambridge English Scale as one of your five component scores — the mechanics of that conversion live in how FCE scoring works.
Try it nowHear each part at exam pacePart-by-part exercises with the double playing baked into the audio. The first two in every part are free.ListenPart 1: eight small worlds
Eight completely unrelated situations — a voicemail, two friends arguing about a film, a tour guide — each with one three-option question announced before you hear it. Because each extract stands alone, a lost answer never contaminates the next one: every thirty seconds the world resets. That structure makes Part 1 feel fast, and it is where the paper teaches you its central lesson early — the question usually asks what the speaker thinks, not what words they said.
Part 2: one voice, ten gaps
A single speaker — typically someone describing their unusual job, expedition or project — talks for around three minutes while you complete ten sentences with words exactly as heard. The sentences follow the recording’s order, which turns the printed page into a route map: you always know where you are. This is the only part where you produce language rather than choose it, so spelling is marked — the reason names, numbers and compound nouns (“lighthouse keeper”, “95 per cent”) are its signature answers.
Part 3: five speakers, eight statements
Five people speak in turn — about thirty seconds each — on the same theme: a first job, a memorable trip, a hobby taken too far. You match each speaker to the statement that captures their point, with three extra statements standing by as decoys. The format is generous in one way (short, self-contained turns) and demanding in another: the decoys are engineered to half-fit several speakers, so only the speaker’s overall attitude separates them.
Part 4: the long conversation
The paper closes with its longest listen: an interview or discussion, usually a presenter and a guest, running three to four minutes under seven three-option questions. The questions arrive in recording order and ask for opinions, reasons and the relationship between the speakers — including the exam’s favourite move, asking for one speaker’s view right after the other has argued the opposite. Stamina is the hidden requirement; it is the part where a lapse of focus costs the most.
Why everything plays twice
The double playing is not a safety net bolted on for weaker candidates — it is the paper’s design assumption. The first pass is for orientation and provisional answers; the second is for targeted verification. Candidates who use both passes the same way (listening to everything, equally, twice) give away the advantage. How to split the two passes properly — and the rest of the tactical playbook — is the job of this post’s other half: FCE Listening tips and strategies.
Hear the format before exam day
Formats stop being intimidating the third time you meet them. The B2 listening exercises are built part by part with the double playing baked into the audio, exactly as the real exam runs it — first two exercises in every part free, each with the transcript and every answer explained. The whole exam is mapped in the complete B2 First preparation guide.